American Playwriting and the Anti-Political Prejudice: - download pdf or read online

By N. Pressley

ISBN-10: 1137415185

ISBN-13: 9781137415189

ISBN-10: 1349493724

ISBN-13: 9781349493722

Two decades after Tony Kushner's influential Angels in the USA appeared to claim a revitalized efficiency for the preferred political play, there's a "No Politics" prejudice undermining US creation and writing. This e-book explores the mostly unrecognized cultural styles that discourage political playwriting at the modern American level.

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Extra info for American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First-Century Perspectives

Example text

Appeared to have been at the small Custom Made Theatre Company, in San Francisco, charging a top price $25, with half-price tickets advertised by the online discount service Goldstar, in a cross-gendered production staged in 2008. ”, remains, for a contemporary American dramatist, rare in its bluntness. It functions as a conscious, practical attempt to re-establish the political vocabulary that Kushner subsequently argued the American theater lacks. , Kushner wrote, “The American political tradition to which my parents made me an heir .

In Slavs! Kushner retells the familiar story—familiar being the kind favored by the Greeks, and of particular appeal to the public-oriented form that is the drama—of the fall of socialism in Russia, and does so in a way that magnifies the shortcomings of political systems at large. In 2009 culture reporter Andrea Stevens wrote of Kushner, “Perhaps alone among American playwrights of his generation he uses history as a character, letting its power fall on his protagonists as they stumble through their own and others’ lives.

Eight-year-old Vodya Domik does not speak; she is a victim of radiation that has polluted the country from a nuclear accident at Chernobyl, with more nuclear waste likely en route from the West, which will pay the post-Soviet, cash-strapped Russia to take the literal and political poison off its hands. Vodya, whose ailments are exhaustively listed by Bonch-Bruevich (and who is unusual in that most children suffering from her menu of maladies die by age six), is a voiceless victim and the figure of future generations bleaker yet than Gleb’s.

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American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First-Century Perspectives by N. Pressley


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